Date of publication: 2017-08-30 18:50
My Conception of the genius— Great men, like great epochs, are explosive material in whom tremendous energy has been accumulated their prerequisite has always been, historically and psychologically, that a protracted assembling, accumulating, economizing and preserving has preceded them—that there has been no explosion for a long time. If the tension in the mass has grown too great the merest accidental stimulus suffices to call the “genius,” the “deed,” the great destiny, into the world. Of what account then are circumstances, the epoch, the Zeitgeist, public opinion!.Great human beings are necessary, the epoch in which they appear is accidental… (“Expeditions of an Untimely Man,” 99).
Listen to my teaching, you wisest men! Test in earnest whether I have crept into the heart of life itself and down to the roots of its heart! Where I found a living creature, there I found will to power and even in the will of the servant, I found the will to be master ( Z “Of the Self-Overcoming”).
Because much of Nietzsche’s philosophical work has to do with the creation of self—or to put it in Nietzschean terms, “becoming what one is”— some scholars exhibit uncommon interest in the biographical anecdotes of Nietzsche’s life. Taking this approach, however, risks confusing aspects of the Nietzsche legend with what is important in his philosophical work, and many commentators are rightly skeptical of readings derived primarily from biographical anecdotes.
Roderic L. Mullen
The Expansion of Christianity:
A Gazeteer of Its First Three Centuries
Reviewed by Carl L. Beckwith
Who could ever possibly say what the most beautiful, greatest is? I was a ballet dancer for years, I adore Tchaikovsky 8767 s Nutcracker Pas de Deux. Gives me chills when I hear it. I adore Gershwin, Brahms, Rachmaninoff. There is no possible way to choose any list of the greatest just my opinion. Any and all music is 8775 to each their own 8776 , within their soul!
I 8767 m an ignoramus when it comes to classical music. I only know that I enjoy it. So, thank you for this article, I 8767 m looking forward to many hours of musical joy 😀
As with the opera article, I found myself reflecting on the idea that beauty will overcome PC, because whatever is done to make the music/operas 8775 correct 8776 ends in disfiguring so as to create ugliness. They either have to leave it alone (yay for the good guys), or banish it (wherein it becomes desirable as a forbidden fruit.)
See the heading above and the credit below to find out who wrote this list. If you don't like the selections in this list or the arrangement, take it up with the author(s).
Despite these similarities, Nietzsche’s philosophical break with Schopenhauerian pessimism was as real as his break with Wagner’s domineering presence was painful. Ultimately, however, such triumphs were necessary to the development and liberation of Nietzsche as thinker, and they proved to be instructive as Nietzsche later thematized the importance of “self-overcoming” for the project of cultivating a free spirit.
What is good?—All that heightens the feeling of power, the will to power, power itself in man. What is bad?—All that proceeds from weakness. What is happiness?—The feeling that power increases—that a resistance is overcome.
6. the higher species is lacking, ., those whose inexhaustible fertility and power keep up the faith in man….[and] 7. the lower species (‘herd,’ ‘mass,’ ‘society,’) unlearns modesty and blows up its needs into cosmic and metaphysical values. In this way the whole of existence is vulgarized: insofar as the mass is dominant it bullies the exceptions, so they lose their faith in themselves and become nihilists.
It is telling that Human begins by alluding to the problem of “emergence” as it is brought to light again by the “historical philosophical method.” A decidedly un-scientific “metaphysical view,” by comparison, looks rather for miraculous origins in support of the highest values. Next, in an unexpected move, Nietzsche relates the general problem of emergence to two specific issues, one concerning morals (“selfless acts”) and the other, knowledge—which is taken to include judgment (“disinterested observations”): “in them the basic element appears to be virtually dispersed” and discernable “only to the most careful observer.”
i found number three like all the others im sure but its melody of the instruments all playing at different timbres is incredible and im not usually one who listens to this kind of mucic but it was truly beautiful.